Get your FREE SUBSCRIPTION to Ceramics Arts Daily today!
Enter Your Email Address
 

freemium5-float2.png






Close Window

Subscribe to Ceramic Arts Daily and we'll give you
Emerging Ceramic Artists to Watch: New Pottery and Ceramic Sculpture 
FREE!
Enter Your Email Address
 

7 Great Pottery ProjectsEnter your email address to get a Free Charter Subscription to Ceramic Arts Daily, an email newsletter for people who are passionate about clay.

Answers from the CM Technical Staff



Q: In the article "Striving For Perfection: Energy, Efficiency & Perfect Combustion," [available on this page] in the December 2007 issue, Hal Frenzel defined oxidation and reduction atmospheres and characterized the associated kiln exit-flame colors. In our studio, I've noticed that when backing off on the gas-to-air ratio, flame color coming out the flue changes from deep yellow to pale yellow to faint green, and then finally to bluish.

There is a debate in our studio as to the meaning of these colors. One school of thought believes that exit flames of any color indicates unburned fuel emanating from the kiln and bursting into flame in the outside air, thus indicating a lack of oxygen in the kiln (reduction atmosphere). Another school of thought holds that only the yellow flame indicates reduction. Any greenish or bluish tints in the flame indicate oxidation. So which is right?-M. B.

A: Interesting debate you are having in your studio-and good observation of the flame colors! ANY flame coming out of the flue of your kiln indicates reduction (lack of oxygen) inside the kiln. A neutral to oxidizing flame will occur at the outlet of the burners, well inside the kiln and before the kiln gases reach the flue exit. What you are seeing at the flue exit is indeed the fuel burning once it hits the air outside the kiln and gets the oxygen it needs to ignite. The color of the flame tells you much about the degree of reduction present. The blue flame indicates mild reduction. The deep yellow flame indicates heavy reduction. The other colors are variations between those two.
Dave Finkelnburg, CM Technical Editor
A Probing Question

cmoct08oxyprobe.jpg

Oxygen probes are the most accurate way to measure atmospheric conditions in a kiln. They compare oxygen levels inside and outside the kiln. A sensor, which reacts with oxygen above red-heat temperatures, is half encased in an alumina tube that is inserted into the kiln, with the open end outside the kiln to allow the ambient air to flow into the sensor. The half of the sensor outside the tube is exposed to the kiln atmosphere, and the half inside the tube is exposed to the ambient air in the room. When each end of the sensor is attached to a lead, the difference between oxygen levels will produce a small electrical charge, which is readable by an electrical multimeter.
Some oxygen probes also read temperature, since one half of the circuit is completed using one lead of a thermocouple. The diagram above illustrates this structure.

e-mail technical questions to editorial@ceramicsmonthly.org


Keep up with what's happening in the world of ceramics:  Subscribe