Get your FREE SUBSCRIPTION to Ceramics Arts Daily today!
Enter Your Email Address
 

freemium5-float2.png






Close Window

Subscribe to Ceramic Arts Daily and we'll give you
Emerging Ceramic Artists to Watch: New Pottery and Ceramic Sculpture 
FREE!
Enter Your Email Address
 

7 Great Pottery ProjectsEnter your email address to get a Free Charter Subscription to Ceramic Arts Daily, an email newsletter for people who are passionate about clay.


printer friendly version Send to a friend Bookmark this page Bookmark this feature printer friendly version Print this feature share your comments Share your comments

View Larger Image

Bottle, 12 in. (30 cm) in height, thrown, altered and slab-built white stoneware, single fired in a gas kiln to Cone 10 in reduction.

December 19, 2007

Finding Your Personal Style

by Conner Burns | Read Comments (2)

It seems that once a person understands the basic techniques of making pots, the attention is then divided between improving those techniques and pursuing a personal style. Personal style is both hard to achieve and as natural as who we are. The development of personal style is both a result as well as a process. What follows is the path that I took. Hopefully it will offer some insight to others who find themselves in pursuit of personal style.

Time
It seems reasonable to assume that if I spent three hours a week making pots, it will take me longer to develop than someone making pots thirty hours a week. I don’t think this is surprising to anyone but it is important to consider. It also might help those who only get three studio hours a week to accept that this development might take longer.

Experimentation
I experimented with styles that seemed to be comfortable and not comfortable. Continuing to make a similar shape will help you to refine it and develop it over time, but there are also benefits from experimenting. Make forms that seem “out of bounds” for you. You might love or hate it, but you will definitely learn from it. For information that can help you to experiment with different techniques and styles, check out Throwing and Handbuilding.

Exposure
My work and my development were not done in a vacuum. Yes, time alone working is very important to me, but exposure to different styles, to different techniques and to different people is also a necessity. It’s important to connect with others working in clay. And there is no need to limit your influences to clay. Get together with other artists in other media, from metal to fabric to architecture. For information about workshops and the opportunity to get together and connect with other potters, check out Explore the Surface or Centered in Clay.


Influences
121907Pursuit3_CAPTION.jpgI am influenced by things such as rocks, trees, vegetation, the sand pattern in the bottom of a small creek, the way a flower emerges from its bud. What about you? Your work may not look exactly like that which influences you, but there are parts of those influences that infiltrate your work. Recognizing that can be beneficial and enjoyable.

Commitment
Just how committed are you to making good pots? If you truly want to develop you must put some effort into it. Don’t expect that all things will “just happen,” and then just sit back and make no effort. Pursue it with diligence. Ask those who you respect how they developed those forms. I suspect they will say they spent much time in the studio working, trying new things and analyzing the results.

For Further Information
See a term you weren’t quite sure of? Then visit the Ceramic Arts Daily Glossary. To see more of Conner’s work, visit www.connerburns.com.

printer friendly version Send to a friend Bookmark this page Bookmark this feature printer friendly version Print this feature share your comments Share your comments

Read more about these related topics:
Ceramic Art Techniques Ceramic Artists 

 


2 Comments

Add Your Own Comment

lynette | February 4, 2008 10:56 am

Yes, time give you experience- it took van Gogh, Picasso and many other masters many years of copying other styles before they found their own. Even Raphael was accussed of copying Michelangelo. So pratice copled with studing great ceramic artists will help your development...and listening to the voice clay has- it sometimes tells you where to go.


Cheryl | December 23, 2007 9:27 am

This is inspiring for me! I learned to throw and have been throwing over the last two years (in between my f/t job and family commitments) and still don't have a style. My pieces are close, but never consistent. Time is definitely what I need more of, with no interruption.